¿Qué quieres ver esta noche?

Good for you if

• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

Good for you if

• you want to hear a real killer in his own recorded words.
• you follow how investigators finally caught a man the town trusted.

Good for you if

• you want the victims and their families heard, not just the killer.
• you like a portrait of Yorkshire in the late 1970s.
• you want to understand why the police took so long to catch him.

Good for you if

• you like an investigation solved from tiny details in the background of a video.
• you want to know how a killer used the internet to be seen.
• you like a three-episode manhunt where the stakes keep rising for the amateur sleuths.

Good for you if

• you want to hear a real case through the original tapes.
• you want to understand how the warning signs were missed for years.

Good for you if

• you want true crime that remembers the women who were killed.
• you like to understand how a killer went unnoticed for years.
• you're drawn to the New York of the 1970s and its Times Square.

Good for you if

• you want true stories told by the people who lived them.
• you follow true crime and the investigations behind it.
• you like the slow realization that something is wrong at home.

Good for you if

• you want to understand how one man's confessions misled the police.
• you like true crime that questions the investigators.
• you like finding out which confessions could be true.

Good for you if

• you like an amateur detective piecing together clues decades old.
• you want the survivors' voices at the centre of a true crime story.
• you care as much about Michelle McNamara's obsession as about the case.

Good for you if

• you like a true crime case that keeps getting stranger.
• you like a story with scavenger hunt notes and a homemade bomb.
• you want the real people and the real investigation.

Good for you if

• you want the true story of the West Memphis Three, told as it unfolded.
• you want to see a murder trial from inside the courtroom.
• you like weighing the evidence yourself.

Good for you if

• you like two filmmakers digging into the disappearances of their childhood.
• you like the chill of a boogeyman story that turns out to be real.
• you like true crime set in the woods and ruins of Staten Island.

Good for you if

• you like 1970s New York, its tabloids and its summer of fear.
• you like following a theory that the killer did not act alone.
• you like a portrait of a man consumed by his own investigation.

Good for you if

• you like a disappearance that seems to have no explanation.
• you like a hotel where every floor seems to hide something.

Good for you if

• you like long conversations in a cell where one wrong word ruins everything.
• you can't look away from Paul Walter Hauser as Larry Hall.
• you want a true story told soberly.

Good for you if

• you like an old case reopened by people who refuse to drop it.
• you want survivors telling their own story.
• you like the former students who become investigators in their sixties.

Good for you if

• you followed the West Memphis Three case and want to see how it ended.
• you like seeing how a murder case is built and taken apart.
• you like weighing evidence that points in a new direction.

Good for you if

• you want the real people telling their own story in their own words.
• you like a case that keeps changing what you thought you knew.
• you like a true story told with the suspense of a thriller.

Good for you if

• you like a New York real-estate heir who seems out of reach of the law.
• you like a cold case reopened piece by piece.
• you like watching a man answer questions he could have refused.

Good for you if

• you like a true case where every answer opens a darker question.
• you like revelations that change everything you thought about the story.
• you want to follow the people who spent decades finding out who she was.