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Good for you if

• you want the victims and their families heard, not just the killer.
• you like a portrait of Yorkshire in the late 1970s.
• you want to understand why the police took so long to catch him.

Good for you if

• you like 1970s New York, its tabloids and its summer of fear.
• you like following a theory that the killer did not act alone.
• you like a portrait of a man consumed by his own investigation.

Good for you if

• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

Good for you if

• you want to hear a real killer in his own recorded words.
• you follow how investigators finally caught a man the town trusted.

Good for you if

• you want to hear a real case from the recordings themselves.
• you like 1970s archive footage of a case that marked America.

Good for you if

• you like an amateur detective piecing together clues decades old.
• you want the survivors' voices at the centre of a true crime story.
• you care as much about Michelle McNamara's obsession as about the case.

Good for you if

• you like an investigation solved from tiny details in the background of a video.
• you want to know how a killer used the internet to be seen.
• you like a three-episode manhunt where the stakes keep rising for the amateur sleuths.

Good for you if

• you want to hear a real case through the original tapes.
• you want to understand how the warning signs were missed for years.

Good for you if

• you want to understand how Charles Cullen went unnoticed for so long.
• you like true crime told by the people who brought him down.
• you like detectives and a fellow nurse piecing a case together from hospital records.

Good for you if

• you like two filmmakers digging into the disappearances of their childhood.
• you like the chill of a boogeyman story that turns out to be real.
• you like true crime set in the woods and ruins of Staten Island.

Good for you if

• you want true stories told by the people who lived them.
• you follow true crime and the investigations behind it.
• you like the slow realization that something is wrong at home.

Good for you if

• you want to understand how one man's confessions misled the police.
• you like true crime that questions the investigators.
• you like finding out which confessions could be true.

Good for you if

• you like tension that comes from people talking across a table.
• you like stories built on real cases and real killers.
• you like a slow, quiet build more than action.

Good for you if

• you like a true crime case that keeps getting stranger.
• you like a story with scavenger hunt notes and a homemade bomb.
• you want the real people and the real investigation.

Good for you if

• you want the real people telling their own story in their own words.
• you like a case that keeps changing what you thought you knew.
• you like a true story told with the suspense of a thriller.

Good for you if

• you want the real Aileen Wuornos, beyond the films made about her.
• you like true crime that follows a life, not just the murders.
• you can sit with a story that ends on death row.

Good for you if

• you like an old case reopened by people who refuse to drop it.
• you want survivors telling their own story.
• you like the former students who become investigators in their sixties.

Good for you if

• you want the true story of the West Memphis Three, told as it unfolded.
• you want to see a murder trial from inside the courtroom.
• you like weighing the evidence yourself.

Good for you if

• you want the true story of how Charles Sobhraj was finally caught.
• you like Tahar Rahim as a cold, charming killer.
• you like a diplomat closing in while the killer slips away.

Good for you if

• you like true crime told through the real police footage.
• you like following detectives as a story starts to crack.
• you like a story about the pressure strict parents put on a daughter.