¿Qué quieres ver esta noche?

Good for you if

• you like a disappearance that seems to have no explanation.
• you like a hotel where every floor seems to hide something.

Good for you if

• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

Good for you if

• you like two filmmakers digging into the disappearances of their childhood.
• you like the chill of a boogeyman story that turns out to be real.
• you like true crime set in the woods and ruins of Staten Island.

Good for you if

• you like an amateur detective piecing together clues decades old.
• you want the survivors' voices at the centre of a true crime story.
• you care as much about Michelle McNamara's obsession as about the case.

Good for you if

• you want the victims and their families heard, not just the killer.
• you like a portrait of Yorkshire in the late 1970s.
• you want to understand why the police took so long to catch him.

Good for you if

• you want to understand a real case that shook Delhi.
• you like an investigation weighing suicide, murder and belief.
• you want to see how one family's history and shared beliefs shaped what happened.

Good for you if

• you want to hear a real killer in his own recorded words.
• you follow how investigators finally caught a man the town trusted.

Good for you if

• you like a case you can try to solve in an hour.
• you can live with an episode that ends without an answer.
• you like UFO lights in the sky between two murder cases.

Good for you if

• you like a true story that changes direction more than once.
• you like watching an obsession grow message by message.
• you want the account of the people who lived it.

Good for you if

• you like 1970s New York, its tabloids and its summer of fear.
• you like following a theory that the killer did not act alone.
• you like a portrait of a man consumed by his own investigation.

Good for you if

• you want true stories told by the people who lived them.
• you follow true crime and the investigations behind it.
• you like the slow realization that something is wrong at home.

Good for you if

• you want to understand how Charles Cullen went unnoticed for so long.
• you like true crime told by the people who brought him down.
• you like detectives and a fellow nurse piecing a case together from hospital records.

Good for you if

• you want a case told only through the footage and messages left behind.
• you want to see a family from the inside, a marriage under strain and two small daughters.
• you follow real investigations closely.

Good for you if

• you like a true crime case that keeps getting stranger.
• you like a story with scavenger hunt notes and a homemade bomb.
• you want the real people and the real investigation.

Good for you if

• you followed the West Memphis Three case and want to see how it ended.
• you like seeing how a murder case is built and taken apart.
• you like weighing evidence that points in a new direction.

Good for you if

• you want the real people telling their own story in their own words.
• you like a case that keeps changing what you thought you knew.
• you like a true story told with the suspense of a thriller.

Good for you if

• you like a story that gets stranger every ten minutes.
• you like an investigation where the questions keep changing.
• you like hearing a con man explain his con himself.

Good for you if

• you want to hear a real case through the original tapes.
• you want to understand how the warning signs were missed for years.

Good for you if

• you want to understand the real trial of John Demjanjuk.
• you like a question of identity: a grandfather or a death camp guard.
• you like archive footage of a trial that gripped Israel in the 1980s.

Good for you if

• you want true crime that remembers the women who were killed.
• you like to understand how a killer went unnoticed for years.
• you're drawn to the New York of the 1970s and its Times Square.