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Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Employing methods of direct cinema–observation, limited stylization, and non-intervention–this stark look into the State Prison for the Criminally Insane in Bridgewater, Massachusetts shows its denizens, who were often kept in barren cells and infrequently bathed, forced to strip naked publicly, force feeding, and the indifference and bullying by many of the hospital's staff.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Pennsylvania, 1956. Frank Sheeran, un veterano de guerra de origen irlandés que trabaja como camionero, conoce accidentalmente al mafioso Russell Bufalino. Una vez convertido en su hombre de confianza, Bufalino envía a Frank a Chicago con el encargo de ayudar a Jimmy Hoffa, un poderoso líder sindical relacionado con el crimen organizado, con quien Frank mantendrá una estrecha amistad durante casi veinte años.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

A heartbreaking record of the thirteen-month struggle between a community fighting to survive and a corporation dedicated to the bottom line.

A showcase of workers in the animal burial industry while dealing with heavier existential questions regarding mortality and the afterlife. Floyd 'Mac' McClure believes that a graceful burial is as important for pets as it is for people; he chronicles his struggles to keep his niche business afloat, and interviews several of his associates and one of his competitors, the manager of a rendering plant.

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.

A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.

Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

The first documentary feature to explore the tragic and bizarre life of the late chess master Bobby Fischer.

A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.

Stanley Kubrick’s debut documentary, following Irish-American middleweight boxer Walter Cartier on April 17, 1950—the day of his bout with Bobby James. The film traces Cartier’s quiet morning rituals, training, and anxious hours before the match, culminating in his swift victory that night in Newark. Opening with a brief history of boxing, Kubrick’s tightly crafted short captures the discipline, isolation, and tension behind a fighter’s daily routine.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity.

The three-part documentary series, compiled from over 60 hours of unseen footage, captures the warmth, camaraderie, and creative genius that defined the legacy of music's most iconic foursome. The series also includes – for the first time in its entirety – The Beatles' final performance at London's Savile Row.

An Indonesian man with a communist background named Ramli was brutally murdered when the "Communist" purge occurred in 1965. His remaining family members lived in fear and silence until the making of this documentary. Adi, a brother of his, decided to revisit the horrific incident and visited the men who were responsible for the killings and one survivor of the purge. These meetings uncovered sadistic details of the murders and exposed raw emotions and reactions of the killers' family members about what happened in the past - much to Adi's disappointment.