¿Qué quieres ver esta noche?

Good for you if

• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

Good for you if

• you want the victims and their families heard, not just the killer.
• you like a portrait of Yorkshire in the late 1970s.
• you want to understand why the police took so long to catch him.

Good for you if

• you like an investigation solved from tiny details in the background of a video.
• you want to know how a killer used the internet to be seen.
• you like a three-episode manhunt where the stakes keep rising for the amateur sleuths.

Good for you if

• you like an amateur detective piecing together clues decades old.
• you want the survivors' voices at the centre of a true crime story.
• you care as much about Michelle McNamara's obsession as about the case.

Good for you if

• you like a true crime case that keeps getting stranger.
• you like a story with scavenger hunt notes and a homemade bomb.
• you want the real people and the real investigation.

Good for you if

• you want to hear a real killer in his own recorded words.
• you follow how investigators finally caught a man the town trusted.

Good for you if

• you want the real people telling their own story in their own words.
• you like a case that keeps changing what you thought you knew.
• you like a true story told with the suspense of a thriller.

Good for you if

• you like 1970s New York, its tabloids and its summer of fear.
• you like following a theory that the killer did not act alone.
• you like a portrait of a man consumed by his own investigation.

Good for you if

• you want true crime that remembers the women who were killed.
• you like to understand how a killer went unnoticed for years.
• you're drawn to the New York of the 1970s and its Times Square.

Good for you if

• you want the true story of the West Memphis Three, told as it unfolded.
• you want to see a murder trial from inside the courtroom.
• you like weighing the evidence yourself.

Good for you if

• you like a true story that changes direction more than once.
• you like watching an obsession grow message by message.
• you want the account of the people who lived it.

Good for you if

• you want to understand how Charles Cullen went unnoticed for so long.
• you like true crime told by the people who brought him down.
• you like detectives and a fellow nurse piecing a case together from hospital records.

Good for you if

• you like true crime that follows a case into the courtroom.
• you like a question to answer: accident or murder.
• you want to hear the real parents and investigators tell the case.

Good for you if

• you want to hear a real case through the original tapes.
• you want to understand how the warning signs were missed for years.

Good for you if

• you like true crime told through the real police footage.
• you like following detectives as a story starts to crack.
• you like a story about the pressure strict parents put on a daughter.

Good for you if

• you like two filmmakers digging into the disappearances of their childhood.
• you like the chill of a boogeyman story that turns out to be real.
• you like true crime set in the woods and ruins of Staten Island.

Good for you if

• you want to follow the long fight to free Damien Echols, Jason Baldwin and Jessie Misskelley.
• you like new evidence reopening a case everyone thought was closed.
• you like seeing how a murder trial is built, and how it can go wrong.

Good for you if

• you want the facts of the Jamal Khashoggi case laid out piece by piece.
• you like an investigation that plays like a thriller.
• you want to understand how a state hunts its critics abroad.

Good for you if

• you like an old case reopened by people who refuse to drop it.
• you want survivors telling their own story.
• you like the former students who become investigators in their sixties.

Good for you if

• you want to see how murder cases are really worked.
• you like the clock running on the first 48 hours of a murder case.
• you like following a case from the first call to the interrogation room.