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• you want news footage and interviews from the Bush years in one film.
• you like following money and oil between Washington and Saudi Arabia.
• you like Michael Moore's mocking edits and pop songs over politicians.

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• you like absurd true stories told with humour.
• you like stories that really happened.
• you like undercover scenes that could go wrong.

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• you like dread that never lets go.
• you want to understand a real disaster.
• you can take a grim, unflinching story.

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• you want to know who made money from the crash and who paid.
• you like a case built with real figures, real names and real interviews.
• you like interviews where the person in the chair starts to squirm.

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• you like hearing people explain how they came to believe, and how they left.
• you want to know how an organisation keeps control of its members.
• you like long testimonies where people choose every word.

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• you like an argument built from archives, laws and numbers.
• you want to see how a law from 1865 still shapes prisons today.
• you want to know who profits from locking people up.

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• you like former trainers admitting what they didn't want to see.
• you care about how intelligent animals live.
• you like seeing a company's story taken apart piece by piece.

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• you want to know what a war does to the memory of those who fought it.
• you like a director investigating his own past.
• you like dreamlike animated images, like soldiers rising from the sea at night.

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• you want to hear a real case from the recordings themselves.
• you like 1970s archive footage of a case that marked America.

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• you like angry, fast comedy about real disaster.
• you like sharp, cynical characters.
• you like to understand how something really happened.

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• you like the days before a leak, filmed as they happen in one hotel room.
• you want to watch Snowden explain, in his own words, why he did it.
• you like seeing how governments watch their own citizens.

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• you want to hear the survivors in their own words.
• you want to understand how money and connections protected one man for years.

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• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

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• you like seeing how police, politics and schools keep a city stuck.
• you like a case built patiently over a whole season.
• you want people like Omar, Stringer Bell and McNulty to stay with you.

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• you can laugh at how far a feud between zoo owners goes.
• you like a real story stranger than anything you'd make up.
• you like a cast of big cat breeders who each seem invented.

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• you like a fight between a commune and a town that becomes a national case.
• you can't look away from Sheela telling her own story decades later.
• you like a true story that gets stranger with each episode, and you can't guess where it goes.

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• you like tension that comes from people talking across a table.
• you like stories built on real cases and real killers.
• you like a slow, quiet build more than action.

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• you like a portrait made from a man's own tapes.
• you like bears filmed close, in the wild.
• you like trying to understand someone who chose to live outside the world.

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• you want to know how an insurer makes money by saying no.
• you like ordinary people telling what their illness cost them.
• you let yourself be moved by 9/11 rescue workers finally treated in a Havana hospital.

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• you like a story told through interviews and documents.
• you want to see how a true investigation was done.
• you like slow-building pressure on the powerful.