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• you like tension that comes from people talking across a table.
• you like stories built on real cases and real killers.
• you like a slow, quiet build more than action.

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• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

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• you like an investigation solved from tiny details in the background of a video.
• you want to know how a killer used the internet to be seen.
• you like a three-episode manhunt where the stakes keep rising for the amateur sleuths.

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• you want to hear the survivors in their own words.
• you want to understand how money and connections protected one man for years.

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• you want to weigh the evidence in the Steven Avery case yourself.
• you like seeing how a county police force and a court work up close.
• you like a case followed over ten years, hearing by hearing.

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• you want to understand how police and institutions failed his victims for over a decade.
• you want a performance that stays with you, Evan Peters as Jeffrey Dahmer.

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• you like a cartoonist, a reporter and a detective trying to crack a killer's coded letters.
• you like a long investigation more than a quick chase.
• you can live with questions that never get a full answer.

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• you can laugh at how far a feud between zoo owners goes.
• you like a real story stranger than anything you'd make up.
• you like a cast of big cat breeders who each seem invented.

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• you like a New York real-estate heir who seems out of reach of the law.
• you like a cold case reopened piece by piece.
• you like watching a man answer questions he could have refused.

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• you like a disappearance that seems to have no explanation.
• you like a hotel where every floor seems to hide something.

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• you want to understand a true crime from inside the house.
• you like Joey King and Patricia Arquette in a mother-daughter story.
• you like dread that builds toward something you know will happen.

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• you like a story that gets stranger every ten minutes.
• you like an investigation where the questions keep changing.
• you like hearing a con man explain his con himself.

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• you like a film shot with raw, restless energy.
• you like stories based on real places and people.
• you like watching a drug gang take over a Rio favela, from small hold-ups in the 60s to open war in the 70s.

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• you like a case you can try to solve in an hour.
• you can live with an episode that ends without an answer.
• you like UFO lights in the sky between two murder cases.

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• you like seeing exactly how a con works, message by message.
• you like hearing the women he fooled tell it themselves.
• you like the moment the money runs out and the threats start.

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• you want to know what a war does to the memory of those who fought it.
• you like a director investigating his own past.
• you like dreamlike animated images, like soldiers rising from the sea at night.

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• you want a road trip through America asking why it has so many shootings.
• you can laugh at a cartoon history of America while the subject is gun deaths.
• you like a sardonic narrator who questions everyone from Marilyn Manson to Charlton Heston.

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• you like hearing people explain how they came to believe, and how they left.
• you want to know how an organisation keeps control of its members.
• you like long testimonies where people choose every word.

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• you like a portrait made from a man's own tapes.
• you like bears filmed close, in the wild.
• you like trying to understand someone who chose to live outside the world.

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• you like an argument built from archives, laws and numbers.
• you want to see how a law from 1865 still shapes prisons today.
• you want to know who profits from locking people up.