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• you like dread that never lets go.
• you want to understand a real disaster.
• you can take a grim, unflinching story.

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• you want to know who made money from the crash and who paid.
• you like a case built with real figures, real names and real interviews.
• you like interviews where the person in the chair starts to squirm.

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• you like the days before a leak, filmed as they happen in one hotel room.
• you want to watch Snowden explain, in his own words, why he did it.
• you like seeing how governments watch their own citizens.

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• you like a fight between a commune and a town that becomes a national case.
• you can't look away from Sheela telling her own story decades later.
• you like a true story that gets stranger with each episode, and you can't guess where it goes.

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• you want news footage and interviews from the Bush years in one film.
• you like following money and oil between Washington and Saudi Arabia.
• you like Michael Moore's mocking edits and pop songs over politicians.

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• you like a lead performance carried by the eyes.
• you like rooms full of brilliant people arguing.
• you want to feel the first test in your chest.

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• you like a story told through interviews and documents.
• you want to see how a true investigation was done.
• you like slow-building pressure on the powerful.

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• you like hearing people explain how they came to believe, and how they left.
• you want to know how an organisation keeps control of its members.
• you like long testimonies where people choose every word.

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• you want to weigh the evidence in the Steven Avery case yourself.
• you like seeing how a county police force and a court work up close.
• you like a case followed over ten years, hearing by hearing.

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• you like former trainers admitting what they didn't want to see.
• you care about how intelligent animals live.
• you like seeing a company's story taken apart piece by piece.

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• you like the speed of Formula 1 and the politics around it.
• you like getting behind the garage doors and listening to the team radios of a real championship.
• you care more about the drivers and bosses than about the cars.

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• you like angry, fast comedy about real disaster.
• you like sharp, cynical characters.
• you like to understand how something really happened.

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• you want to know who built the silo and why.
• you like a closed world with its own laws, levels and history.
• you like Juliette digging where she was told not to.

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• you like onboard laps in the rain at Monaco.
• you like a life told entirely through real footage from the time.
• you like a rivalry that turns into collisions on the track.

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• you want a road trip through America asking why it has so many shootings.
• you can laugh at a cartoon history of America while the subject is gun deaths.
• you like a sardonic narrator who questions everyone from Marilyn Manson to Charlton Heston.

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• you want to hear the survivors in their own words.
• you want to understand how money and connections protected one man for years.

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• you want to know how an insurer makes money by saying no.
• you like ordinary people telling what their illness cost them.
• you let yourself be moved by 9/11 rescue workers finally treated in a Havana hospital.

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• you like a New York real-estate heir who seems out of reach of the law.
• you like a cold case reopened piece by piece.
• you like watching a man answer questions he could have refused.

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• you like absurd true stories told with humour.
• you like stories that really happened.
• you like undercover scenes that could go wrong.

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• you like a clear case built on data and photographs.
• you care about glaciers, oceans and the climate.
• you like a man who believes every word he says on stage.