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• you like a story that gets stranger every ten minutes.
• you like an investigation where the questions keep changing.
• you like hearing a con man explain his con himself.

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• you want to weigh the evidence in the Steven Avery case yourself.
• you like seeing how a county police force and a court work up close.
• you like a case followed over ten years, hearing by hearing.

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• you like an investigation solved from tiny details in the background of a video.
• you want to know how a killer used the internet to be seen.
• you like a three-episode manhunt where the stakes keep rising for the amateur sleuths.

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• you like a case you can try to solve in an hour.
• you can live with an episode that ends without an answer.
• you like UFO lights in the sky between two murder cases.

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• you want to hear the survivors in their own words.
• you want to understand how money and connections protected one man for years.

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• you like a disappearance that seems to have no explanation.
• you like a hotel where every floor seems to hide something.

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• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

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• you want to hear a real case from the recordings themselves.
• you like 1970s archive footage of a case that marked America.

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• you like a fight between a commune and a town that becomes a national case.
• you can't look away from Sheela telling her own story decades later.
• you like a true story that gets stranger with each episode, and you can't guess where it goes.

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• you like seeing exactly how a con works, message by message.
• you like hearing the women he fooled tell it themselves.
• you like the moment the money runs out and the threats start.

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• you like a cartoonist, a reporter and a detective trying to crack a killer's coded letters.
• you like a long investigation more than a quick chase.
• you can live with questions that never get a full answer.

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• you like a dark, intricate investigation.
• you like dread in cold, clean images.
• you like an unforgettable, fierce heroine.

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• you like dread that builds in quiet rooms and dark caves.
• you like a case with proof that a man was in two places at once.
• you like a patient story that takes its time with grief.

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• you want to understand a true crime from inside the house.
• you like Joey King and Patricia Arquette in a mother-daughter story.
• you like dread that builds toward something you know will happen.

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• you like dread that builds in the rain and never lets up.
• you can take an ending that stays with you for days.
• you like following detectives through every step of a case.

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• you like being tense for two and a half hours straight.
• you like collecting clues and trying to get ahead of the detective.
• you like watching an actor go somewhere raw. Hugh Jackman does.

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• you can laugh at how far a feud between zoo owners goes.
• you like a real story stranger than anything you'd make up.
• you like a cast of big cat breeders who each seem invented.

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• you love it when the floor drops out from under you halfway.
• you like a lead performance you can't look away from. Rosamund Pike holds every scene Amy is in.
• you like people who are hard to like.

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• you like a small-town murder where every neighbour could be hiding something.
• you like Kate Winslet as a tired, stubborn local cop.
• you like a crime story that cares as much about Mare's family as the case.

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• you like tension that comes from people talking across a table.
• you like stories built on real cases and real killers.
• you like a slow, quiet build more than action.