What do you want to watch tonight?

Good for you if

• you want to weigh the evidence in the Steven Avery case yourself.
• you like seeing how a county police force and a court work up close.
• you like a case followed over ten years, hearing by hearing.

Good for you if

• you like a New York real-estate heir who seems out of reach of the law.
• you like a cold case reopened piece by piece.
• you like watching a man answer questions he could have refused.

Good for you if

• you like a case you can try to solve in an hour.
• you can live with an episode that ends without an answer.
• you like UFO lights in the sky between two murder cases.

Good for you if

• you want to hear the survivors in their own words.
• you want to understand how money and connections protected one man for years.

Good for you if

• you like a disappearance that seems to have no explanation.
• you like a hotel where every floor seems to hide something.

Good for you if

• you like a story that gets stranger every ten minutes.
• you like an investigation where the questions keep changing.
• you like hearing a con man explain his con himself.

Good for you if

• you want a case told only through the footage and messages left behind.
• you want to see a family from the inside, a marriage under strain and two small daughters.
• you follow real investigations closely.

Good for you if

• you like an investigation solved from tiny details in the background of a video.
• you want to know how a killer used the internet to be seen.
• you like a three-episode manhunt where the stakes keep rising for the amateur sleuths.

Good for you if

• you want a case told by the people who testified.
• you want to follow how every warning about this boy was missed.
• you can watch a story with no consolation at the end.

Good for you if

• you want to hear a real case from the recordings themselves.
• you like 1970s archive footage of a case that marked America.

Good for you if

• you like a manhunt where the city waits for the next attack.
• you like the feel of 1980s Los Angeles in archive footage.
• you want the detectives who worked the case to tell it.

Good for you if

• you can laugh at how far a feud between zoo owners goes.
• you like a real story stranger than anything you'd make up.
• you like a cast of big cat breeders who each seem invented.

Good for you if

• you like a cartoonist, a reporter and a detective trying to crack a killer's coded letters.
• you like a long investigation more than a quick chase.
• you can live with questions that never get a full answer.

Good for you if

• you like a story told through interviews and documents.
• you want to see how a true investigation was done.
• you like slow-building pressure on the powerful.

Good for you if

• you like seeing exactly how a con works, message by message.
• you like hearing the women he fooled tell it themselves.
• you like the moment the money runs out and the threats start.

Good for you if

• you want to understand a true crime from inside the house.
• you like Joey King and Patricia Arquette in a mother-daughter story.
• you like dread that builds toward something you know will happen.

Good for you if

• you like tension that comes from people talking across a table.
• you like stories built on real cases and real killers.
• you like a slow, quiet build more than action.

Good for you if

• you want a film that will take you apart.
• you like a documentary built from home movies and the voices of friends.
• you want grandparents and their grandson at the centre.

Good for you if

• you like former trainers admitting what they didn't want to see.
• you care about how intelligent animals live.
• you like seeing a company's story taken apart piece by piece.

Good for you if

• you like a fight between a commune and a town that becomes a national case.
• you can't look away from Sheela telling her own story decades later.
• you like a true story that gets stranger with each episode, and you can't guess where it goes.